Phenomenology And Imagination In Husserl And Heidegger Pdf
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In this paper I offer a critical revision of the main thematic phenomenological writings on imagination by Sartre and Edward Casey based on the following three criteria: 1.
- Edmund Husserl
- Phenomenology and Imagination in Husserl and Heidegger
- Phenomenology (philosophy)
- Between Phenomenology and Hermeneutics: Paul Ricoeur’s Philosophy of Imagination
This article aims to explain phenomenology by reviewing the key philosophical and methodological differences between two of the major approaches to phenomenology: transcendental and hermeneutic.
Phenomenology is the study of structures of consciousness as experienced from the first-person point of view. The central structure of an experience is its intentionality, its being directed toward something, as it is an experience of or about some object. An experience is directed toward an object by virtue of its content or meaning which represents the object together with appropriate enabling conditions. Phenomenology as a discipline is distinct from but related to other key disciplines in philosophy, such as ontology, epistemology, logic, and ethics. Phenomenology has been practiced in various guises for centuries, but it came into its own in the early 20th century in the works of Husserl, Heidegger, Sartre, Merleau-Ponty and others. Phenomenological issues of intentionality, consciousness, qualia, and first-person perspective have been prominent in recent philosophy of mind.
Phenomenology and Imagination in Husserl and Heidegger
Access options available:. A number of thinkers, particularly those working in the philosophy of literature, have been concerned with the role the imagination plays in our moral reasoning. I have been particularly interested in issues raised in this discussion concerning the possibility of objective moral judgments. In this paper, I will briefly outline the treatment of the moral imagination in the philosophy of literature and show how phenomenology can help ground the moral imagination in order to avoid the claim of ethical relativism or skepticism. While moral reasoning entails the use of the imagination, and literature can play a key role in the development of this imagination, appeal to the imagination does not require an abandonment of objective truth. Rather, phenomenology can lay the groundwork for several of the ideas at work in this discussion and counter concerns of skepticism or relativism by answering the following questions: First, what is the nature of the operation of the imagination such that we can claim it allows us to arrive at the truth, moral or otherwise?
The thesis of this chapter consists in putting forward the idea that, from the point of view of their speculative foundation, the works of the founding fathers of phenomenology Husserl and Heidegger admit of a unity, the nature of which is clarified by certain crucial contributions from German idealism. The perspective that the author is concerned to develop consists in attempting to show that, if phenomenology is understood as a transcendental philosophy, then to grasp its meaning, recourse to German idealism is unavoidable. The essential objective will thus consist in showing how the concept of the transcendental in phenomenology relies on classical transcendental idealisms. Keywords: condition , construction , foundation , knowledge , metaphysics , ontology , possibilization , reflection , subjectivity , transcendental idealism. Alexander Schnell is professor of philosophy phenomenology and theoretical philosophy at the University of Wuppertal. Access to the complete content on Oxford Handbooks Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.
Sartre accepts both major aspects of that turn, the phenomenological reduction and the use of transcendental argumentation. Yet his rejection of the transcendental ego that Husserl derives from this transcendental turn overlooks an obvious transcendental argument in favor of it. His books on emotion and imagination, moreover, make only very brief comments about the transcendental constitution of the world of experience. The problem underlying these features of his works of phenomenological psychology is clarified and resolved, however, when Sartre articulates his own transcendental phenomenology and ontology in Being and Nothingness a decade after he first encountered the work of Husserl. This resolution raises a new problem that animates the next phase of his philosophy. Keywords: emotion , Husserl , imagination , ontology , phenomenology , philosophical psychology , Sartre , transcendental philosophy.
Phenomenology is one of the most pervasive and influential schools of thought in twentieth-century European philosophy. This book provides a systematic and.
I maintain that most philosophical accounts of the imagination leave this paradox unexplored. I further contend that Paul Ricoeur is the only thinker to have addressed this paradox explicitly. According to Ricoeur, to resolve this paradox, one needs to recognize language as the origin of productive imagination.
Publisher Page. The introduction of The Subject s of Phenomenology: Rereading Husserl wastes no time getting down to the nitty gritty.
Between Phenomenology and Hermeneutics: Paul Ricoeur’s Philosophy of Imagination
This study focuses on various phenomenological conceptions of the invisible in order to consider to what extent and in what way they involve moments of hiddenness. The relationship among phenomenality, invisibility, and hiddenness is examined in the works of Husserl, Heidegger, Henry, and Merleau-Ponty. The study explains why phenomenologists prefer speaking about the invisible over a discourse of the hidden. It shows that the phenomenological method does not display the invisibility as a limit of experience but rather as a dynamic component of relational nature of any experience, including the religious one. Special attention is paid to topological moments of the relationship between the visible and the invisible.
Phenomenology and Imagination in Husserl and Heidegger. Phenomenology is one of the most pervasive and influential schools of thought in twentieth-century European philosophy. This book provides a systematic and comprehensive analysis of the idea of the imagination in Husserl and Heidegger. The author also locates phenomenology within the broader context of a philosophical world dominated by Kantian thought, arguing that the location of Husserl within the Kantian landscape is essential to an adequate understanding of phenomenology both as an historical event and as a legacy for present and future philosophy. Other formats. Bookshelf Phenomenology and Imagination in Husserl and Heidegger. Description Phenomenology is one of the most pervasive and influential schools of thought in twentieth-century European philosophy.
Edmund Husserl was the principal founder of phenomenology—and thus one of the most influential philosophers of the 20 th century. He has made important contributions to almost all areas of philosophy and anticipated central ideas of its neighbouring disciplines such as linguistics, sociology and cognitive psychology. Husserl was born in Prossnitz Moravia on April 8 th , His parents were non-orthodox Jews; Husserl himself and his wife would later convert to Protestantism. They had three children, one of whom died in World War I.
phenomenological method: Husserl consistently, and Heidegger initially in terms of imaginative variation, one intuits the essence of the phenomenon being.
Беккер застонал и начал выбираться из расписанного краской из баллончиков зала. Он оказался в узком, увешанном зеркалами туннеле, который вел на открытую террасу, уставленную столами и стульями. На террасе тоже было полно панков, но Беккеру она показалась чем-то вроде Шангри-Ла: ночное летнее небо над головой, тихие волны долетающей из зала музыки. Не обращая внимания на устремленные на него любопытные взгляды десятков пар глаз, Беккер шагнул в толпу. Он ослабил узел галстука и рухнул на стул у ближайшего свободного столика.
Она открыла на экране второе окно и просматривала остальную часть документов Лаборатории вне закона. - В чем дело? - спросил Фонтейн. - Вы что-то нашли.
Еще раз убедившись, что Сьюзан и коммандер поглощены беседой, Хейл аккуратно нажал пять клавиш на клавиатуре ее компьютера, и через секунду монитор вернулся к жизни. - Порядок, - усмехнулся. Завладеть персональными кодами компьютеров Третьего узла было проще простого. У всех терминалов были совершенно одинаковые клавиатуры.
Чем могу помочь? - спросила она на гортанном английском. Беккер не мигая смотрел на эту восхитительную женщину. - Мне нужно кольцо, - холодно сказал .
Он козырьком поднес руку к глазам и стал разглядывать шпили над внушительным фасадом. - Смотрите внимательно, - предупредил Смит. - Халохот - профессионал. Это его первый выстрел в публичном месте.