File Name: art encounters deleuze and guattari .zip
In keeping with the position maintained throughout his work, Deleuze's writings on painting reject an aesthetics of mimesis in favour of a celebration of effectivity. Mobilizing a dynamic of combative extraction, Deleuze shows in these writings how works of art can engage with local instances of suffering and constraint in such a way as to open these on to other, livelier possibilities. Arguing that the version deployed in Deleuze's discussion of Bacon is limited in its ability to negotiate some kinds of contingent negativity, it maintains that this might, accordingly, be supplemented usefully by the differently inflected version at work in his piece on Fromanger.
- Simon O'Sullivan
- Art Encounters Deleuze and Guattari
- Art Encounters Deleuze and Guattari -Simon O'Sullivan
It seems that you're in Germany. We have a dedicated site for Germany. In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics - an aesthetics of affect - and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts - the virtual, the minor, the fold, etc. He has published widely in the area of aesthetics and art theory, including articles in Parallax, Angelaki and Pli. This is his first monograph.
In this article we focus on the potential for an alignment of certain feminist artistic practices and poststructuralist conceptions of critique that may enable ways of theorising practices of resistance and engender ways of practicing resistance in theory, without the lurch back into masculinist forms of dogmatism. We argue that this creative conjunction between Irigaray, Deleuze and Guattari provides the resources for a conceptualisation of both feminist artistic practice and the critical practice of poststructuralist philosophy as forms of resistance to the dominant patriarchal order, in ways that can avoid the collapse back into masculinist forms of dogmatism. It is concluded that constituent practices of resistance can be understood as a challenge to the phallogocentric symbolic order to the extent that they are practices of a labial art-politic. Topics: JC. OAI identifier: oai:kar.
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Art Encounters Deleuze and Guattari. Thought Beyond Front Matter. Pages i-xiv. PDF · Introduction Three Beginnings. Simon O'Sullivan. Pages PDF.
Art Encounters Deleuze and Guattari
Gilles Deleuze January 18, —November 4, was one of the most influential and prolific French philosophers of the second half of the twentieth century. Deleuze also produced studies in the history of philosophy on Hume, Nietzsche, Kant, Bergson, Spinoza, Foucault, and Leibniz , and on the arts a two- volume study of the cinema, books on Proust and Sacher-Masoch, a work on the painter Francis Bacon, and a collection of essays on literature. Deleuze considered these latter works as pure philosophy, and not criticism, since he sought to create the concepts that correspond to the artistic practices of painters, filmmakers, and writers. Their final collaboration was What is Philosophy?
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Art Encounters Deleuze and Guattari -Simon O'Sullivan
Refworks Account Login. Open Collections. UBC Theses and Dissertations. Featured Collection. The study brings together my practice in the field of art museum education, and my interest in the art encounter to inquire what the art encounter does.
- Она смотрела ему прямо в. Хейл наклонил голову набок, явно заинтригованный такой скрытностью. И, как бы желая обратить все в игру, сделал еще один шаг .