guitar music theory for beginners pdf

Guitar Music Theory For Beginners Pdf

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Complete Music Theory Pdf. Two downloadable music theory worksheets for guitar players, delivered in a digital PDF format. Music theory may not be your strongest point. Music theory made easy!

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A huge range of printed resources that ensure that you are ready for anything during guitar lessons. You Might Be Surprised? The Big Picture? Get Customers! A common situation facing guitar teachers is judging the "right" time to introduce music theory to their students. Introduce it too early and it gets in the way of what should be going on in the beginner stage learning to move between the eight chords that every guitar player should learn first.

On the other hand, if you introduce it too late when they can play a little but dont have any understanding of what they are playing and students can become "resistant" to developing a framework of theoretical knowledge because they feel that they are making good progress just by learning things parrot fashion.

Music theory should be "a tool they can use rather than an obstacle that they need to overcome". I find that the optimum time to introduce the "how music works" stuff is when they can play and move between basic open chords in time to backing tracks.

This stage is just before they are introduced to power chords and bar chords when a knowledge of how scales are put together and the correct notes for names on the fretboard will be very useful as they work out where to play and move the chord shapes on the neck of the guitar.

That way music theory becomes a tool they can use rather than an obstacle that they need to overcome because some guitar teacher told them that it was a good idea to learn about this stuff.

Major scales are often understandably overlooked by guitar players and some teachers during the beginner and to some extent the intermediate stages of learning to play guitar. During the time that the typical student is learning to form chords and pick out single note solo passages.

The simple fact is that there are other scales particularly the Blues Scale and its closely related cousin, the Pentatonic Minor Scale that can offer more "fun" and a more "authentic" sounding "instant result" to the novice player.

My distressingly long! My job and yours? The single sheet "explainer" above sets out the rules that govern all major scales and can be used alongside our worksheets that reinforce the knowledge and principles with your students. If you look at the graphic above enlarged below you will see that as well as featuring a piano keyboard part of the handout features an oblong box with letter names in it.

This can be much better for guitar players as it allows them to understand how the principles of music theory work here, the "intervals" or the "sequence of gaps between the notes without them having to develop an understanding of an instrument the piano which they probably do not play and may have no interest in. Below are two of the worksheets in our download that help students to develop a "joined up" understanding of the principles involved in the construction of Major Scales.

The worksheets like the "explainer" PDfs featured above do not use musical notation but instead rely on letter names. This is because of the simple reality that the vast majority of guitar players do not read music and the fact that you do not need to read music in order to understand how scales and chords work.

The worksheets feature graphic aids guitar neck, keyboard and the note naming "oblong" discussed above alongside a set of circles which run left to right. The larger circles have smaller, rounded shapes connecting them into which you will see that the letters "W" or "H" have been entered.

As guitar teachers we need to stress to our students that even though the names of the notes changes with every scale the sequence of whole step and half step intervals W-W-H-W-W-W-H remains constant for all Major Scales. Moving our students on from understanding Major Scales to developing a knowledge of the chords that can be made up from them.

One of the main attributes of guitar players who understand how major scales work is that they are in a position to then develop a joined-up knowledge of how each of the notes of a Major scale can then be used as the root note of a series of Major, minor and diminished chords that fall in a pre-determined sequence.

Its the same for all keys so if they can understand the chords in the key of C then they can identify and understand the chords in any key. This is very similar to the way in which if they understand how sequence of whole-step W and half-step H intervals the scale of C Major is constructed then they are in a position to work out the names for the notes to be found in any Major Scale. Below you can see one of our handouts that guitar teachers use to help explain this commonly called "diatonic" system of harmony.

When they can correctly identify the names of the notes in a "parent" Major scale then they can simply assign the appropriate chord quality Major, minor or diminished to each note of that scale. The order in which the chord qualities appear major, minor or diminished ia always the same! The chords built on the first fourth and fifth notes C F and G in the key of C Major are always Major whist those built on the second, third and sixth notes D, E and A are minor chords giving the chords of Dm, Em and Am.

The chord built on the seventh note of the scale B is always a diminished chord B diminished. The graphic below shows two of our worksheets that help allow students to find out that once they can work out and remember the diatonic system of chords in any one key they can use the same principles to transfer it to any other key.

The first is to give them an insight and understanding of the chords that they are likely to encounter when they are working out cover versions. The second and in my view more important benefit of understanding how chords within keys work is that they will be in a much better position when it comes to writing chord progressions for their own original music This fact alone is often enough to spur them on when it comes to developing a positive attitude to the development of a healthy theoretical approach to the instrument Below you can see a detail from a completed worksheet that deals with all of the three note chords triads that can be made up by using the notes of the "parent" A Major Scale.

We should help our students to realise that the notes of any major scale follows the alphabetic sequence A-B-C-D-E-F-G-A-B-C-D etc regardless of whether there are sharps or flats involved and that the chord qualities Major,minor or diminished assigned to each degree of the scale remain constant regardless of which note the Major Scale starts from. Guitar players often have a "love hate" relationship with music theory and if you survey a hundred different guitarists ranging from jazz purists who need to understand the role and function of every note that they play through to Punk players who eschew anything that manifests itself as "rules" you will get a hundred different answers as to the role and function of music theory with relation to playing the guitar.

The reason for this diversity of attitude and opinion you are unlikely to find the same range of feelings among trumpet players is tied up with the role of the guitar in recent popular culture and the fact that unlike many other musical instruments it is perfectly possible to get a great noise out of a guitar without having a clue what you are actually doing.

This page makes the case for the study of music theory to be undertaken at the right time in a guitar player's career and also for the type of music theory to be studied We and our students want to know the information that is likely to be of use to us as guitar players in the type of situations in which we are likely to find ourselves rather than to concern ourselves at this stage with a broader musical school music lesson type? I will also make the case that unlike in the traditional study of music theory we should after becoming familiar with a single major scale progress our students to the theory of how chords work as quickly as possible after all, moving between chords is what our students have been mainly concerning themselves with up to this point in their progress.

By following this course we will help our students to understand what they already do before moving on to introduce new theoretical concepts. Why should our students pay attention to music theory when they can just go on youtube and find out where somebody famous once put their fingers on the neck of a guitar? Music theory is not an end in itself The knowledge and application of it need to be appropriate to the stage that a guitar player is at in terms of his or her development In the early stages of becoming a guitar player typically the period when a player is developing the ability to move between the easier open chords in time to music a knowledge of music theory does not really have much of a role at all In terms of educational theory this stage is concerned totally with developing a facility within what is known as the "Phsychomotor Domain" which involves the aquisition of physical skills Put bluntly at this stage it does not confer any real benefit if the student understands the theory behind what they are doing It is more important just to do it.

The problems with this approach to learning guitar comes after the initial stages Students, self taught or otherwise can become convinced that in order to make more progress on the guitar they need merely to keep on doing what they are already doing learning chord sequences and songs "parrot fashion" and that by following this path they will continue to make reasonably rapid progress This is not the case What will happen is that although they will undoubtedly increase their repertoire they will become stuck in a rut.

There are an awful lot of this type of guitar player about perhaps they are the most common sort of guitarists Somebody who enthusiastically learned the basics and practiced where to put their hands and to function often very well within a couple of scales but then the rate of progress slows down until they are just competently going over old ground and although they are enjoying themselves and thats great they are not really getting any better as musicians and thats not.

The key to progress at this stage is to encourage them to take a step back in order to understand what they are already playing by rote and to help them to realise that by applying a little thought they will be able to understand how music not just guitar works It all starts with The Major Scale.

Understanding Major Scales is absolutely crucial for guitarists for two reasons The first is that the construction of all other scales is defined by their relationship to the notes of a major scale and the second is that the chords that can be constructed from the notes of any major scale provide the harmonic basis of the majority of music that we hear.

They seem quite understandably to have a lot more time for the pentatonic minor scale that will allow them to noodle away playing stuff that sounds like and is Rock and Blues music. Our job as guitar teachers is not to try to turn them off the pentatonic minor scale but to show them that the pentatonic minor is contained within any Major Scale starting from the sixth note and selecting five of the eight notes in a pre-ordained sequence.

Understanding a single Major Scale and the chords that can be built from each of the notes within it are a great place to start using music theory in guitar lessons. If your intermediate guitar students can construct all of the chords that can be built from the notes of a single major scale they will have begun to develop an understanding of how the vast majority of songs are written.

Click the link below to download a PDF containing all of the material that you can see in the image above. If your students can correctly identify the notes of a Major Scale then they can then build a major, minor or diminished chord on each note of the scale. The chord quality Major, minor or diminished of the chord built on each degree of the scale is the same in all keys the chord built on the first, fourth and fifth notes will always be Major chords while those with a root note on the second, third and sixth notes will always be minor.

By identifying the notes of the relevant major scale and then hanging the correct chord quality major, minor or diminished on each note you can easily work out "The Chords That Work" in any key. Working on the material outlined above is an ideal way to introduce music theory to guitar students who can play but don't really know what they are doing or indeed why they are doing it?

The above statement is quite involved and if you ask a student who is ready to start a meaningful study of music theory i. They will maybe even start to get that familiar feeling from their least favourite lesson at school where someone stood at the front of the class and droned on about something that everyone else seemed to understand but which they found completely incomprehensible.

This is not a feeling that you or I want to instill in a customer upon whose money we depend We want them to feel happy and motivated our living depends on it and rather than present them with complicated notions of a five note scale being contained within a seven note scale I tend to introduce my students to the concept of music theory in a different way I ask them a question to which there is only one usually very enthusiastic answer. We are guitar teachers. We earn money teaching the guitar.

Thats what we are all about. That is what people pay us for and expect us to do. Its all very simple but if you look a little deeper into the motivation of our students and ourselves perhaps guitar teaching is only one of the things that we can get paid for.

Very few people take up the guitar determined that they will never write a song but the reality is that most people who play the guitar do not write songs or not ones they are prepared to show to anyone else anyway.

Songwriting can seem like a bit of a "black art" and the impression can form that the only people who can do it are a select group of artistic and inspired individuals who have the "keys to the kingdom" The fortunate reality is that the technical elements of writing songs song structure, melody and harmony are not too difficult for any guitar student who has made it to the intermediate stage where they can form and move between the eight chords that any beginner should learn first The remainder of this page is concerned with helping us to help our students to understand enough about how the chordal harmonic element of songwriting works that they will not be be intimidated by the whole idea.

We start with an introduction to the "Four Chord Trick" in the "guitar friendly" key of G The "Four Chord Trick" in the "Guitar Friendly" key of G The reason that we use the key of G to introduce beginners to songwriting is that by the time a student is capable of moving between the eight chords that they should learn first in time to a backing track then they are at the ideal stage to start to use those chords creatively to come up with their own music.

There is no minimum requirement in terms of skill and technique than this. I know and I'm sure you do too a whole load of really good guitar players who can fly all over the neck of the instrument, spend just about all of their time and money on guitars, have "excellent" musical taste which seems to consist of music made by a bunch of men and it is normally men who can play even faster than they can but who nobody else seems to have heard of. They have put the hours in yet they seem reluctant to engage with something as seemingly simple as writing a song using just a few well chosen chords I am not trying to start a fight here and would stress that some of my favourite music is made by men who can play much much faster than me but the reality is that most "civilians" non musicians are much more impressed by a good song than they are by somebody who can solder the strings to the frets with the heat generated by their hypersonic digits.

Record sales figures and concert attendances would appear to lend credence to my statement Another thing to bear in mind as a teacher is that no matter what the ambition of your beginner student is he or she is not going to get the call from Dream Theatre without many years decades even?

Musical "excellence" is a worthy goal in fact we have a load of guitar teaching materials aimed at intermediate or advanced players and I would hate you to think that I'm suggesting that you dont encourage your students to work on the technical and theoretical concepts that will lift them above the herd thats one of the things that they pay you for but if guitar teachers pass up on the chance to instill in our students the belief that they can make a worthwhile contribution to original music even at a relatively early stage of what if it didn't make a little bit of sick come into my mouth we could call their "guitar playing journey" then we might not be doing our job as well as we think we are The "Four Chord Trick" see the student worksheet that you can download in the graphic above which is a great introduction to music theory on the guitar because from the word go the study of theory becomes useful to the student.

All too often the study of music theory is tilted too far towards "theory" and not far enough toward "music" The four chord trick can be divided into three simple steps Step 1: Find the notes of the G Major Scale Help your student to identify and record the notes of the G Major Scale and draw their attention to the concept of "whole-step" two fret and "half-step" one fret intervals.

This is important as all major scales follow the same W-W-H-W-W-W-H sequence of intervals so by developing the ability to work out the chords of the "four chord trick" from the notes of the G Major scale they will be doing the preparation for working out the chords in other keys on the guitar Step 2: Hang Major Chords on the first root , fourth and fifth notes of the scale Step 3: Hang a minor chord on the sixth note of the scale Its as simple as that The above worksheets that come as part of the teachwombat materials all deal with what are generally thought of as being the most "guitar friendly" keys.

They are regarded as being that way because to a greater or lesser extent they heavily feature chords that can be played using open strings.

Having said that the "four chord trick" in any other key than G will require a player to use at least one bar chord so they do not work as well for a beginner Generally speaking people who write music on guitar tend to gravitate towards the "sharp keys" because they exploit some of the natural features of the instrument but of course the other keys the flat keys are every bit as valid and useful in other circumstances such as playing with brass instruments or individual singers who operate better in particular keys where capos often come into play.

People including me will often lazily refer to "jazz chords" but the reality is that just like the blues scale which is heavily featured in most kinds of popular music that came after it first turned up in the Southern states of America in the late nineteenth century Jazz harmony is everywhere. If a guitar teacher understands how five common four note chords are put and work together then they they can teach the music theory behind just about all popular music forms.

You can pay with a credit card via PayPal or with a PayPal account if you have one. They take care of the payment side and you can be sure that we never get to see your credit card details. How to Teach Children Guitar overview When can a child learn to play guitar? Could You Teach Guitar? Teaching Advanced Guitar What is an "advanced" guitarist and how do you teach them? Teaching Jazz Guitar How to teach an introduction to basic jazz guitar.

Printable PDF Resources for Guitar Teachers A huge range of printed resources that ensure that you are ready for anything during guitar lessons. Guitar Music Theory When are guitar students ready to begin to understand how music theory can help them? On the other hand, if you introduce it too late when they can play a little but dont have any understanding of what they are playing and students can become "resistant" to developing a framework of theoretical knowledge because they feel that they are making good progress just by learning things parrot fashion Music theory should be "a tool they can use rather than an obstacle that they need to overcome" I find that the optimum time to introduce the "how music works" stuff is when they can play and move between basic open chords in time to backing tracks.

That way music theory becomes a tool they can use rather than an obstacle that they need to overcome because some guitar teacher told them that it was a good idea to learn about this stuff Guitar Music Theory and The Major Scale PDF Major scales are often understandably overlooked by guitar players and some teachers during the beginner and to some extent the intermediate stages of learning to play guitar. During the time that the typical student is learning to form chords and pick out single note solo passages The simple fact is that there are other scales particularly the Blues Scale and its closely related cousin, the Pentatonic Minor Scale that can offer more "fun" and a more "authentic" sounding "instant result" to the novice player My distressingly long!

This can be much better for guitar players as it allows them to understand how the principles of music theory work here, the "intervals" or the "sequence of gaps between the notes without them having to develop an understanding of an instrument the piano which they probably do not play and may have no interest in Major Scale Worksheets Below are two of the worksheets in our download that help students to develop a "joined up" understanding of the principles involved in the construction of Major Scales The worksheets like the "explainer" PDfs featured above do not use musical notation but instead rely on letter names.

This is because of the simple reality that the vast majority of guitar players do not read music and the fact that you do not need to read music in order to understand how scales and chords work Using The Worksheets The worksheets feature graphic aids guitar neck, keyboard and the note naming "oblong" discussed above alongside a set of circles which run left to right.

Its the same for all keys so if they can understand the chords in the key of C then they can identify and understand the chords in any key This is very similar to the way in which if they understand how sequence of whole-step W and half-step H intervals the scale of C Major is constructed then they are in a position to work out the names for the notes to be found in any Major Scale Below you can see one of our handouts that guitar teachers use to help explain this commonly called "diatonic" system of harmony All Keys Are The Same!

When they can correctly identify the names of the notes in a "parent" Major scale then they can simply assign the appropriate chord quality Major, minor or diminished to each note of that scale The order in which the chord qualities appear major, minor or diminished ia always the same! The chord built on the seventh note of the scale B is always a diminished chord B diminished Using Guitar Music Theory Worksheets The graphic below shows two of our worksheets that help allow students to find out that once they can work out and remember the diatonic system of chords in any one key they can use the same principles to transfer it to any other key An understanding of the diatonic system allows our students to do two things Our job as guitar teachers is not to try to turn them off the pentatonic minor scale but to show them that the pentatonic minor is contained within any Major Scale starting from the sixth note and selecting five of the eight notes in a pre-ordained sequence When is a guitar student ready to start getting to grips with music theory?

They will maybe even start to get that familiar feeling from their least favourite lesson at school where someone stood at the front of the class and droned on about something that everyone else seemed to understand but which they found completely incomprehensible This is not a feeling that you or I want to instill in a customer upon whose money we depend We want them to feel happy and motivated our living depends on it and rather than present them with complicated notions of a five note scale being contained within a seven note scale I tend to introduce my students to the concept of music theory in a different way I ask them a question to which there is only one usually very enthusiastic answer How to teach songwriting skills to guitar students We are guitar teachers.

Practical Music Theory

In this mega lesson on chords theory, we're going to discover what's the logic behind the chord shapes that are familiar to us. The majority of online guitar lessons show you some chord shapes to rote memorize, and stop there. In this tutorial, you'll learn how to use intervals to create new chord shapes , all along the fretboard , matching the rules of music theory with the geometry of the fretboard. Usually, we guitarists are used to memorize as many chord fingerings as possible, as static shapes. The most common way to learn chords is to get a chord dictionary and try to brute force memorize all those diagrams until the muscle memory allows us to play the chords without overthinking. This kind of practice is a good foundation, but actually, it's just a starting point, from which you should expand your chords knowledge and really learn how chords are built. If you consider a chord as a rigid shape to be fretted on the fretboard, you will severely limit your options for expanding your sound and fully express yourself on the guitar.

Many people have suffered when trying to learn music theory. If this is your case, there is no need to worry: music theory books and materials are usually very boring and difficult to understand, and this is not your fault. That feeling that it is only possible to learn music theory if you have a lot of prior knowledge is a lie. Have you ever found material that explains everything right from the start, without any need to seek explanations elsewhere? The good news is that nowadays this material exists. Apart from having everything duly organised and very well explained, this is also the most complete and the most inclusive material on music theory that you could find. Between and , over 20 thousand students have already studied using our materials, a figure which increases even more every month.

This first part of Really Useful Guitar Stuff forms the foundation for my whole method. Understanding basic music theory and putting it into practice right away, so helping you develop your understanding of harmony in a practical way. Always wanted to unlock the mysteries of "keys" and where chords come from? This pack covers a lot of ground and should take a few months to understand and properly digest all the information - see the contents list below for full details. It's a workbook so you will be doing exercises to check your understanding and then putting it into practice. I really think this is a great place to start for someone who has always been hesitant to get into music theory, it is all practical and will build a good foundation for future study of the guitar. As you might know I have been working on a revamped version of the website which will officially launch on June 4 - but it's live now for newsletter subscribers


It also helps to remember, however, that music theory is a bit like grammar. Languages are 2"Reading Guitar Tablature". 3 may print these exercises as a PDF worksheet5 if you like.


Guitar Music Theory

A huge range of printed resources that ensure that you are ready for anything during guitar lessons. You Might Be Surprised? The Big Picture? Get Customers!

Classical Guitar Method Book (Free PDF)

Free Music Theory Lessons

This book teaches classical and fingerstyle guitar skills with a focus on the rich pedagogical tradition of classical guitar. Most learning objectives are covered through pieces and duets allowing students to perform full pieces from the first lesson. Also see Volume Two to continue learning. If you like the book you can support the site here. Video lessons and helpful articles are an essential part of using my method book. Follow the lessons in the order below.

Feb 25 Concerned with the work of teaching, Ramon and Gilberto show important concepts on the drums, bass and percussion as well as melody, harmony and rhythm, the basic elements of music. They also present a brief history of each genre or tempo, passing through samba, ballad, bossa Feb 24

You'll find in this blog post several cheat sheets for guitarists about the Phrygian mode, third mode of the major scale. These infographics are related to the YouTube video below. Continue reading. This blog post contains free cheat sheets infographics for guitar players about the Dorian mode. You will find useful information on how to play chords, arpeggios and minor licks directly related to this minor scale.

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